Syllabi « screensite.org

200X THEATRE, ART, MUSIC, FILM

Professor Anatoly Antohin, University of Alaska Fairbanks

3D Graphics and Simulation

Brian Winn, Department of Telecommunication, Michigan State University

Acting for Camera

University of South Dakota, Instructor Priscilla Hagen,

ACTING III- Film Acting and Auditioning

Instructor Francine Segal, Loyola University New Orleans

Advanced Lighting

Bob Albers & Brian Kusch, Department of Telecommunication, Michigan State University

Advanced Studies in Rhetoric, Writing, Technology, and Culture

Instructor:Alice J. Robison, Arizona State University

Advanced Video Design and Production

Bob Albers, Department of Telecommunication, Michigan Sate University

Advanced Video Production

Tony Allard. California State University, San Marcos

AGENRE: Holocaust Film

Professor Stuart Liebman, Queen College, The City University of New York

Alfred Hitchcock and the Critics:

Thomas W. Benson, Rhetoric of Film and Television, Pennsylvania State University

Alternative Media

Professor Robert Huesca, Trinity University

Familiarizes the student with the three major critical methods applied to the American cinema: genre study, the auteur theory, and the star system. Topics for spring 2004: film noir, director Howard Hawks and actor Humphrey Bogart; and melodrama, director Douglas Sirk, and actress Lana Turner. Jeremy Butler, University of Alabama.

American Dreamers: Capra, Cassavetes, and Brakhage

Phil Solomon, Univ. of Colorado, 2005.

American Film: Art & Industry

DEPARTMENT OF ENGLISH LANGUAGE AND LITERATURE,National University of Singapore

American Film: Major Directors

Timothy White, National University of Singapore

American Melodrama

The Hollywood melodrama, both as a genre and with a focus on the unique styles and themes of key directors such as Douglas Sirk, Vincente Minnelli, Frank Borzage, Max Ophuls, and George Cukor. Fred Camper, The School of the Art Institute of Chicago.